Life is not a movie plot

Mark Steyn takes on the efforts of James Dickey's son to draw some sort of convoluted metaphor from the movie "Deliverance" to remind us that most people in the world today are not living some movie plot.

enjoyable as they are, pop-culture metaphors aren't really of much use, especially when you're up against cultures where life is still defined by how you live as opposed to what you experience via media. It seems to me, for example, that when anti-war types bemoan Iraq as this generation's Vietnam "quagmire," older folks are thinking of the real Vietnam – the Gulf of Tonkin resolution and whatnot – but most anybody under 50 is thinking of Vietnam movies: some vague video-store mélange of "The Full Metal Deer Apocalypse."

Take the Scott Thomas Beauchamp debacle at the New Republic, in which the magazine ran an atrocity-a-go-go Baghdad diary piece by a serving soldier about dehumanized troops desecrating graves, abusing disfigured women, etc. It smelled phony from the get-go – except to the professional media class from whose ranks the New Republic's editors are drawn: To them, it smelled great, because it aligned reality with the movie looping endlessly through the windmills of their mind, a nonstop Coppola-Stone retrospective in which ill-educated conscripts are the dupes of a nutso officer class.

It's the same with all those guys driving around with "9/11 Was An Inside Job" bumper stickers. That aligns reality with every conspiracy movie from the past three decades: It's always the government who did it – sometimes it's some supersecret agency working deep within the bureaucracy from behind an unassuming nameplate on a Washington street; and sometimes it's the president himself – but when poor Joe Schmoe on the lam from the Feds eventually unravels it, the cunning conspiracy is always the work of a ruthlessly efficient all-powerful state. So Iraq is Vietnam. And 9/11 is the Kennedy assassination, with ever higher percentages of the American people gathering on the melted steely knoll.

Yeah, sometimes I'd like to have the movie CIA that is ruthlessly efficient as in the Bourne movies that can track down its targets all over the globe. Instead we get the rather bumbling CIA that missed the Iranian Revolution, the fall of the Soviet Union, Saddam's development of WMD before the first war with Iraq, the 9/11 plot and the missing WMDs from this war. As Steyn says, "Life is not a movie, especially when your enemies don't watch the same movies."