Bridget Johnson has a very good piece in the Wall Street Journal about how Hollywood has decline to show the horrors of communism with last year's Motorcycle Diaries as the latest example.
Annoying as the Che adulation is, a recent comment by a 14-year-old on an online movie message board was truly disturbing: "I just saw The Motorcycle Diaries, which further made me question: Why is communism bad? . . . Young people are told how bad communism is, but we are not told why. . . . The Motorcycle Diaries showed me how Ernesto Guevara wanted to help people. . . . But this did not explain why he was such a 'bad' person and apparently deserved to be murdered by the U.S."
Is this a legacy of dangerous ignorance that the makers of "Che" wish to continue? Might this teen be taught that the product of Guevara and Castro's "revolution" is a nation whose inhabitants still risk their lives to escape--and an estimated one-third die trying? A nation where neighbor spies on neighbor, where dissent lands one in the clink--or worse--and persecution is punishment for everything from religion to homosexuality?
...Che Guevara, whose legacy includes both ordering and conducting executions and founding forced labor camps. "Guevara . . . quickly gain[ed] a reputation for ruthlessness; a child in his guerrilla unit who had stolen a little food was immediately shot without trial," writes Pascal Fontaine in "The Black Book." Guevara also wrote in his diary about executing peasant Eutimio Guerra, a suspected informant, with a single .32-caliber shot to the head. Guevara, in his will, praised the "extremely useful hatred that turns men into effective, violent, merciless, and cold killing machines." He tried to spread the havoc caused by the Cuban revolution in other countries from Africa to South America, rallying for "two, three, many Vietnams!"
Guevara oversaw executions at La Cabana prison; some of those executed were his former comrades who wouldn't relinquish their democratic beliefs. "To send men to the firing squad, judicial proof is unnecessary," he said. He didn't assuage his barbarity by being a brilliant statesman, either, helping drive the economy to ruin as head of Cuba's central bank and minister of industries. "Though claiming to despise money," writes Fontaine, "he lived in one of the rich, private areas of Havana." Guevara told a British reporter after the Cuban Missile Crisis that the nukes would have been fired if they were under Cuban control--which would have wasted all of those future American suburban revolutionary wannabes.
She also calls for movies that would dramatize the horrors that existed and still exist in all the communist countries in the world. She's right that teenagers have very little idea of why communism was such an atrocious system. They learn far more about the sins committed in American history than about the tens of millions who have died under communist regimes.
UPDATE: Ed Driscoll has some more thoughts on why Hollywood will not make such movies.
The more I think about it, the more it seems like Hollywood is missing out on some great possibilities. And they wouldn't have to all be downer stories. What about a romance taking place against the backdrop of the fall of the Berlin Wall and the rest of the Iron Curtain? How about a movie about some of the brave Soviet writers who risked everything to publish their samizdat literature? Or life in Romania leading to the fall of Ceausescu? Some actress who wanted a great Oscar-wortby role should commission a movie based on the life of the great poet, Anna Akhmatova. What a great movie of courage and suffering her life would make.
Bridget Johnson has a very good piece in the Wall Street Journal about how Hollywood has decline to show the horrors of communism with last year's Motorcycle Diaries as the latest example.
Annoying as the Che adulation is, a recent comment by a 14-year-old on an online movie message board was truly disturbing: "I just saw The Motorcycle Diaries, which further made me question: Why is communism bad? . . . Young people are told how bad communism is, but we are not told why. . . . The Motorcycle Diaries showed me how Ernesto Guevara wanted to help people. . . . But this did not explain why he was such a 'bad' person and apparently deserved to be murdered by the U.S."
Is this a legacy of dangerous ignorance that the makers of "Che" wish to continue? Might this teen be taught that the product of Guevara and Castro's "revolution" is a nation whose inhabitants still risk their lives to escape--and an estimated one-third die trying? A nation where neighbor spies on neighbor, where dissent lands one in the clink--or worse--and persecution is punishment for everything from religion to homosexuality?
...Che Guevara, whose legacy includes both ordering and conducting executions and founding forced labor camps. "Guevara . . . quickly gain[ed] a reputation for ruthlessness; a child in his guerrilla unit who had stolen a little food was immediately shot without trial," writes Pascal Fontaine in "The Black Book." Guevara also wrote in his diary about executing peasant Eutimio Guerra, a suspected informant, with a single .32-caliber shot to the head. Guevara, in his will, praised the "extremely useful hatred that turns men into effective, violent, merciless, and cold killing machines." He tried to spread the havoc caused by the Cuban revolution in other countries from Africa to South America, rallying for "two, three, many Vietnams!"
Guevara oversaw executions at La Cabana prison; some of those executed were his former comrades who wouldn't relinquish their democratic beliefs. "To send men to the firing squad, judicial proof is unnecessary," he said. He didn't assuage his barbarity by being a brilliant statesman, either, helping drive the economy to ruin as head of Cuba's central bank and minister of industries. "Though claiming to despise money," writes Fontaine, "he lived in one of the rich, private areas of Havana." Guevara told a British reporter after the Cuban Missile Crisis that the nukes would have been fired if they were under Cuban control--which would have wasted all of those future American suburban revolutionary wannabes.
She also calls for movies that would dramatize the horrors that existed and still exist in all the communist countries in the world. She's right that teenagers have very little idea of why communism was such an atrocious system. They learn far more about the sins committed in American history than about the tens of millions who have died under communist regimes.
UPDATE: Ed Driscoll has some more thoughts on why Hollywood will not make such movies.
The more I think about it, the more it seems like Hollywood is missing out on some great possibilities. And they wouldn't have to all be downer stories. What about a romance taking place against the backdrop of the fall of the Berlin Wall and the rest of the Iron Curtain? How about a movie about some of the brave Soviet writers who risked everything to publish their samizdat literature? Or life in Romania leading to the fall of Ceausescu? Some actress who wanted a great Oscar-wortby role should commission a movie based on the life of the great poet, Anna Akhmatova. What a great movie of courage and suffering her life would make.